JIMI HENDRIX KILLING FLOOR VIDEO FULL
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The signs were there that Page was going to be different breed of guitar player. Like Eric Clapton and Jeff Beck, Page was an alumni of the Yardbirds, at first on bass guitar, then guitar, briefly alongside Jeff Beck. Years honing his chops as an on-call session musician had prepared Jimmy Page for what was to come, namely being guitarist and producer of the biggest rock band on the planet, a band whose creative ambition matched the scale of their success. Oh, he set his guitar on fire? It was was always on fire… 3. His was a guitar sound you heard in color. And he used them to spectacular effect, turning blues into rock, into a fug of psychedelia.Īt times, the whump-whump pulse of the Leslie effect would knock you sideways, but for the most part Hendrix knew when to roll the crazy back and let that phrasing of his, those chord inversions and vibrato speak for itself.

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And if he were born any later, say, in today’s climate, would he have been so free to shepherd that squall of feedback in an era in which limits are placed on stage noise, in-ears and all that jazz? Would he be lost to TikTok?įor better or worse, Hendrix lived free in an age of danger, and took the guitar to the limit, pushing it with this newfound technological superpower, the Marshall stack, and the supplementary ordnance provided on the floor by Roger Mayer et al – wah, fuzz, Uni-Vibe, all those new toys. Gear had evolved enough to accommodate high volumes and new noise, rock ’n’ roll had deflowered pop culture, the time was just right. There’s a stronger case explaining why he was born just at the right time. It’s tempting to say that Hendrix was ahead of his time, and yes, it’s true, he was. Jimi Hendrix was the supernova of creativity that the electric guitar had been waiting for.

Brian May: 'I will never claim to be a great guitarist in the sense of a virtuoso.

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He made full use of that freedom, with solos you could sing along to, melodies that stuck with you for days, and timeless riffs that will forever remain exhilarating as the first time we ever heard them. Indeed, with Freddie Mercury’s voluminous charisma onstage, May was given free rein to be himself as a guitarist, to make his sound as big or small as the song needed to be. As for his playing, it was sheer rock as theater, the fire to match the bombast, and the operatic splendor of a peerless band whose frontman must have been a dream to play alongside.

There really is something texturally gourmand about May’s tone, a phalanx of Vox AC30s, with the Dallas Rangemaster in front, the phase shifting, the tape echo.

Appropriating a sixpence for a guitar pick, he would develop a sound that was instantly and unmistakably his, a three-dimensional cushion of overdrive that ferried Queen’s magisterial songs through the ether.

This homespun mad scientist sensibility served May well. Brian MayĪrise, Sir Brian Harold May, the greatest guitarist of all time, the player most regal, and the one whose pathway to the summit began in the most unorthodox fashion, with a father-and-son woodcraft project converting a fireplace into one of the most inventive electric guitars ever made, the Red Special. (Image credit: RB/Bauer-Griffin/GC Images) 1.

Jimi hendrix killing floor video